Francisco Quinteiro Pires

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Tag Archives: Robert Capa

Magnum’s photos and the tension between art and journalism

CHECK A PIECE ABOUT MAGNUM

This entry was posted in artes visuais, entrevista, fotografia, história, jornalismo, revista and tagged A Visual Archive of the Modern World, Abbas, agência, archive, arquivo, Austin, Carta Capital, Chris Boot, David “Chim” Seymour, David Foster Wallace, DOC Galeria, Don DeLillo, Edgar Allan Poe, Elliott Erwitt, Estados Unidos, fotografia, fotografia analógica, fotografia digital, Francisco Quinteiro Pires, George Rodger, Guerra Civil Espanhola, Harry Ransom Center, Henri Cartier-Bresson, James Joyce, Life, linkedin, Look, Magnum, Magnum Stories, Mark Lubell, Michael S. Dell, Moises Saman, National Geographic Society, New York, nova york, Pablo Inirio, Paris, Paris Match, Phaidon Press, photos, Radical Transformation: Magnum Photos into the Digital Age, Reading Magnum, revista, Robert Capa, Stern, Steven Hoelscher, The New York Times, The United States, University of Texas, University of Texas Press on 01/02/2014 by Francisco Quinteiro Pires.

Paths of wars

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CHECK A PIECE ABOUT WAR/PHOTOGRAPHY, A BROOKLYN MUSEUM EXHIBITION

This entry was posted in artes visuais, fotografia, história, jornalismo, política, vídeo and tagged Anne Wilkes Tucker, August Sander, Brooklyn Museum, Carta Capital, CNN, Columbia University, Committee to Protect Journalists, Como Chego na Linha de Frente?, Compassion Fatigue, Diane Arbus, drone, drones, exhibition, exposição, Famine, fotógrafos de guerra, fotografia de guerra, Francisco Quinteiro Pires, Glória feita de sangue, HBO, How the Media Sell Disease, Joe Rosenthal, Ligeiramente Fora de Foco, linkedin, Margaret Bourke-White, mortes, New York, New York University, News Corporation, nova york, Oscar, Philip Jones Griffiths, Restrepo, Richard Avedon, Robert Capa, Robert Frank, Roger Fenton, Ron Haviv, Sebastian Jurgen, Susan Moeller, Tad Donoho, The Associated Press, Tim Hetherington, University of Missouri, University of Nebraska, W. Eugene Smith, Walker Evans, War and Death, WAR/PHOTOGRAPHY, Weegee, Which Way Is the Front Line From Here, World Press Photo of the Year on 14/01/2014 by Francisco Quinteiro Pires.

Stories on the legendary Robert Capa

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Check a piece about the 100th anniversary of the birth of Robert Capa

This entry was posted in artes visuais, biografia, entrevista, fotografia, história, jornal, jornalismo, livro and tagged A Morte do Soldado Legalista, Andre Friedmann, Andrew Kershaw, autobiografia, Blood and Champagne, Carta Capital, Cornell Capa, correspondente de guerra, Cosac Naify, D Day, David Chim Seymour e George Rodger, Dia D, entrevista, Espanha, Esperando Robert Capa, Falling Soldier, fotografia, fotojornalismo, Francisco Franco, Francisco Quinteiro Pires, Gerda Taro, Gerta Pohorylle, gravação, guerra, Guerra Civil Espanhola, HBO, Henri Cartier-Bresson, Hungary, Hungria, imagens, Indochina, International Center of Photography, John Hersey, John Steinbeck, Ligeiramente Fora de Foco, Magnum, Martha Gellhorn, Michael Mann, New York, nova york, photojournalism, Plural, Popular Photography, Public Enemies, Record, Robert Capa, Sangue e Champanhe, Segunda Guerra Mundial, Slightly Out of Focus, Spain, Spanish Civil War, Susana Fortes, Um Diário Russo, União Soviética, Waiting for Robert Capa, Witness, World War II on 13/11/2013 by Francisco Quinteiro Pires.

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