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Magnum’s photos and the tension between art and journalism

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This entry was posted in artes visuais, entrevista, fotografia, história, jornalismo, revista and tagged A Visual Archive of the Modern World, Abbas, agência, archive, arquivo, Austin, Carta Capital, Chris Boot, David “Chim” Seymour, David Foster Wallace, DOC Galeria, Don DeLillo, Edgar Allan Poe, Elliott Erwitt, Estados Unidos, fotografia, fotografia analógica, fotografia digital, Francisco Quinteiro Pires, George Rodger, Guerra Civil Espanhola, Harry Ransom Center, Henri Cartier-Bresson, James Joyce, Life, linkedin, Look, Magnum, Magnum Stories, Mark Lubell, Michael S. Dell, Moises Saman, National Geographic Society, New York, nova york, Pablo Inirio, Paris, Paris Match, Phaidon Press, photos, Radical Transformation: Magnum Photos into the Digital Age, Reading Magnum, revista, Robert Capa, Stern, Steven Hoelscher, The New York Times, The United States, University of Texas, University of Texas Press on 01/02/2014 by Francisco Quinteiro Pires.

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1 thought on “Magnum’s photos and the tension between art and journalism”

photo art online 16/02/2014 at 10:43 AM

thank you for tell us good information.

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