Francisco Quinteiro Pires

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Did Hollywood bow to Nazis?

Check a piece about the relationship between Hollywood studios and Nazi officials

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This entry was posted in cinema, entrevista, história, livro, opinião, política, revista and tagged 1933-1939 (Columbia University Press), A Mulher Faz o Homem, A Vida de Émile Zola (1937), Adolf Hitler, Adolph Zukor (Paramount Pictures), André Bazin, Ben Urwand, Berlim, Carl Laemmle (Universal), Carta Capital, Cidadão Kane, Confessions of a Nazi Spy (1939), E o Vento Levou..., estúdios, Francisco Quinteiro Pires, General Motors, Georg Gyssling, Harry Cohn (Columbia Pictures), Herman J. Mankiewicz, Hollywood, Hollywood and Hitler, Hollywood’s Pact With Hitler (Harvard University Press), I Was a Captive of Nazi Germany (1936), IBM, Jack e Harry Warner (Warner Bros.), jews, Joseph Goebbels, judaísmo, judeus, LeYa Brasil, linkedin, Louis B. Mayer (MGM), moguls, Motion Picture Producers and Distributors Of America, Nada de novo no front, nazis, nazismo, nazistas, New York, nova york, O Diário de Anne Frank (1959), O Homem do Prego (1965), O Julgamento de Nuremberg (1961), O Mágico de Oz, Primeira Guerra Mundial, professor da Brandeis University, Segunda Guerra Mundial, studios, Terceiro Reich, The Collaboration, The Mad Dog of Europe, The Road Back, Thomas Doherty, William Fox (Fox Film Corporation) on 04/10/2013 by Francisco Quinteiro Pires.

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