Francisco Quinteiro Pires

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Letters of a beloved American poet

CHECK A PIECE ROBERT FROST

This entry was posted in literatura, poesia and tagged A Boy’s Will, amy Lowell, archibald MacLeish, Bread Loaf, Civilização Brasileira, Cold War, Denise Bottmann, e-book, Elizabeth Bishop, Ernest Hemingway, Estados Unidos, Evangeline Fife, Folha de S. Paulo, Francisco Quinteiro Pires, Guerra Fria, Harper's Magazine, Hart Crane, Harvard University, Ilustríssima, Jay Parini, John Fitzgerald Kennedy, Joyce Carol Oates, Lawrance Thompson, linkedin, Marisa Murray, Mark richardson, New York, nova york, Orange is the new black, paul Muldoon, poesia, poet, poeta, Poetry, Poetry Foundation, Pulitzer, Robert Frost, robert Frost - a Life, Robert Lowell, Robert Polito, San Francisco, Saul Bellow, Seamus Heaney, T.S. Eliot, The Letters of Robert Frost, The road not taken, tradução, Vermont, Wallace stevens, William Faulkner on 16/06/2014 by Francisco Quinteiro Pires.

The anticonformist

CHECK A PIECE ABOUT HARUKI MURAKAMI

This entry was posted in literatura, livro, revista, tradução and tagged 1Q84, Alfaguara, Aomame, Carta Capital, Charles Baxter, Charlie Parker, Estados Unidos, Extremo Oriente, F. Scott Fitzgerald, Francisco Quinteiro Pires, George Orwell, Guerra e Paz, Haruki Murakami, Hayao Kawai, J.D. Salinger, Japan, Japão, Kangaeru Hito, Kyoto, Lica Hashimoto, linkedin, New York, Nobel Prize, nova york, O Descolorido Tsukuru Tasaki e seus Anos de Peregrinação, O Grande Gatsby, Philip Gabriel, Plural, Prêmio Nobel, Raymond Chandler, Tamotsu Fukada, Tólstoi, Tóquio, Tengo, Thelonious Monk, Tokyo, Truman Capote on 26/03/2014 by Francisco Quinteiro Pires.

Magnum’s photos and the tension between art and journalism

1 Reply

CHECK A PIECE ABOUT MAGNUM

This entry was posted in artes visuais, entrevista, fotografia, história, jornalismo, revista and tagged A Visual Archive of the Modern World, Abbas, agência, archive, arquivo, Austin, Carta Capital, Chris Boot, David “Chim” Seymour, David Foster Wallace, DOC Galeria, Don DeLillo, Edgar Allan Poe, Elliott Erwitt, Estados Unidos, fotografia, fotografia analógica, fotografia digital, Francisco Quinteiro Pires, George Rodger, Guerra Civil Espanhola, Harry Ransom Center, Henri Cartier-Bresson, James Joyce, Life, linkedin, Look, Magnum, Magnum Stories, Mark Lubell, Michael S. Dell, Moises Saman, National Geographic Society, New York, nova york, Pablo Inirio, Paris, Paris Match, Phaidon Press, photos, Radical Transformation: Magnum Photos into the Digital Age, Reading Magnum, revista, Robert Capa, Stern, Steven Hoelscher, The New York Times, The United States, University of Texas, University of Texas Press on 01/02/2014 by Francisco Quinteiro Pires.

Paths of wars

CHECK A PIECE ABOUT WAR/PHOTOGRAPHY, A BROOKLYN MUSEUM EXHIBITION

This entry was posted in artes visuais, fotografia, história, jornalismo, política, vídeo and tagged Anne Wilkes Tucker, August Sander, Brooklyn Museum, Carta Capital, CNN, Columbia University, Committee to Protect Journalists, Como Chego na Linha de Frente?, Compassion Fatigue, Diane Arbus, drone, drones, exhibition, exposição, Famine, fotógrafos de guerra, fotografia de guerra, Francisco Quinteiro Pires, Glória feita de sangue, HBO, How the Media Sell Disease, Joe Rosenthal, Ligeiramente Fora de Foco, linkedin, Margaret Bourke-White, mortes, New York, New York University, News Corporation, nova york, Oscar, Philip Jones Griffiths, Restrepo, Richard Avedon, Robert Capa, Robert Frank, Roger Fenton, Ron Haviv, Sebastian Jurgen, Susan Moeller, Tad Donoho, The Associated Press, Tim Hetherington, University of Missouri, University of Nebraska, W. Eugene Smith, Walker Evans, War and Death, WAR/PHOTOGRAPHY, Weegee, Which Way Is the Front Line From Here, World Press Photo of the Year on 14/01/2014 by Francisco Quinteiro Pires.

Salinger: the ruined silence

Check a piece about a biography of J.D. Salinger

This entry was posted in biografia, comportamento, história, jornalismo, livro, religião, revista, tradução and tagged Alan Scherstuhl, Andrew Barker, Armageddon, baby boomers, Carta Capital, Charlie Chaplin, Cornish, Dalton Trevisan, David Shields, documentary, documentário, Emily Dickinson, Eugene O’Neill, film, filme, Francisco Quinteiro Pires, Hollywood, Howard Hughes, Ian Hamilton, Intrínseca, J.D. Salinger, Jean Miller, Jean-Michel Basquiat, Joyce Maynard, Kenneth Slawenski, LeYa Brasil, linkedin, Little Brown and Co, Marcel Proust, Martin Sheen, New Hampshire, New York, nova york, O Apanhador no Campo de Centeio, Oona O’Neill, Paul Alexander, Philip Seymour Hoffman, Phoebe Hoban, Reality Hunger, revista, Salinger, Shane Salerno, Simon & Schuster, Sylvia Welter, Thomas Pynchon, Twitter, Uma Vida, Variety, Village Voice on 14/10/2013 by Francisco Quinteiro Pires.

Did Hollywood bow to Nazis?

Check a piece about the relationship between Hollywood studios and Nazi officials

This entry was posted in cinema, entrevista, história, livro, opinião, política, revista and tagged 1933-1939 (Columbia University Press), A Mulher Faz o Homem, A Vida de Émile Zola (1937), Adolf Hitler, Adolph Zukor (Paramount Pictures), André Bazin, Ben Urwand, Berlim, Carl Laemmle (Universal), Carta Capital, Cidadão Kane, Confessions of a Nazi Spy (1939), E o Vento Levou..., estúdios, Francisco Quinteiro Pires, General Motors, Georg Gyssling, Harry Cohn (Columbia Pictures), Herman J. Mankiewicz, Hollywood, Hollywood and Hitler, Hollywood’s Pact With Hitler (Harvard University Press), I Was a Captive of Nazi Germany (1936), IBM, Jack e Harry Warner (Warner Bros.), jews, Joseph Goebbels, judaísmo, judeus, LeYa Brasil, linkedin, Louis B. Mayer (MGM), moguls, Motion Picture Producers and Distributors Of America, Nada de novo no front, nazis, nazismo, nazistas, New York, nova york, O Diário de Anne Frank (1959), O Homem do Prego (1965), O Julgamento de Nuremberg (1961), O Mágico de Oz, Primeira Guerra Mundial, professor da Brandeis University, Segunda Guerra Mundial, studios, Terceiro Reich, The Collaboration, The Mad Dog of Europe, The Road Back, Thomas Doherty, William Fox (Fox Film Corporation) on 04/10/2013 by Francisco Quinteiro Pires.

A religião dos famosos

Leia reportagem sobre Cientologia

Check a piece about Scientology

This entry was posted in comportamento, entrevista, jornalismo, religião, revista and tagged 11 de Setembro, 9/11, A Al-Qaeda e o Caminho até o 11/9, A Prisão da Fé, audição, audition, Austrália, Beyond Belief: My Secret Life Inside Scientology and My Harrowing Escape, Califórnia, Carta Capital, casamento gay, Cientologia, Clearwater, Companhia das Letras, Crash, cruz, David Miscavige, Dianética, FBI, ficção científica, filhas lésbicas, First Amendment, Flórida, Francisco Quinteiro Pires, Going Clear, Hollywood, igreja, Inside The Weird World of Scientology, IRS, Jenna Miscavige Hill, John Sweeney, John Travolta, L. Ron Hubbard, Lawrence Wrigth, linkedin, Lisa McPherson, Los Angeles, Mino Carta, morte, New York, No Limite, nova york, O Poder da Mente sobre o Corpo, O Vulto da Torres, O Vulto das Torres, Oscar, Paul Haggis, pessoas supressivas, Primeira Emenda, processo, Pulitzer Prize, religião, reportagem, revista carta capital, Rio de Janeiro, São Paulo, Scientology, Statistical Abstract of the United States, The Church of Fear, The Economist, The New Yorker, Tom Cruise on 12/08/2013 by Francisco Quinteiro Pires.

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