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Tag Archives: Jean-Michel Basquiat

Salinger: the ruined silence

Check a piece about a biography of J.D. Salinger

This entry was posted in biografia, comportamento, história, jornalismo, livro, religião, revista, tradução and tagged Alan Scherstuhl, Andrew Barker, Armageddon, baby boomers, Carta Capital, Charlie Chaplin, Cornish, Dalton Trevisan, David Shields, documentary, documentário, Emily Dickinson, Eugene O’Neill, film, filme, Francisco Quinteiro Pires, Hollywood, Howard Hughes, Ian Hamilton, Intrínseca, J.D. Salinger, Jean Miller, Jean-Michel Basquiat, Joyce Maynard, Kenneth Slawenski, LeYa Brasil, linkedin, Little Brown and Co, Marcel Proust, Martin Sheen, New Hampshire, New York, nova york, O Apanhador no Campo de Centeio, Oona O’Neill, Paul Alexander, Philip Seymour Hoffman, Phoebe Hoban, Reality Hunger, revista, Salinger, Shane Salerno, Simon & Schuster, Sylvia Welter, Thomas Pynchon, Twitter, Uma Vida, Variety, Village Voice on 14/10/2013 by Francisco Quinteiro Pires.

Grafite, o filho bastardo da liberdade e do caos

Leia reportagem sobre o ressurgimento do grafite no caderno Ilustríssima, da Folha de S. Paulo.

This entry was posted in artes visuais, cotidiano, jornalismo and tagged Banksy, Caleb Neelon, Folha de S. Paulo, Francisco Quinteiro Pires, grafite, Ilustríssima, Jean-Michel Basquiat, JR, Keith Harring, Lee Quinones, Osgemeos, Roger Gastman, TAKI 183, The History of American Graffiti, The New York Times on 24/08/2011 by Francisco Quinteiro Pires.

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